Showing posts with label women. Show all posts
Showing posts with label women. Show all posts

Longing for Darkness: Tara and the Black Madonna Review

Longing for Darkness: Tara and the Black Madonna
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Longing for Darkness: Tara and the Black Madonna ReviewChna Galland's account of her spiritual odyssey, Longing For Darkness, is absolutely riveting. Her journey from her disappointment in her male-centered Roman Catholic tradition through Buddhism with its strong female Deity,Tara,only to find that feminine spirit inspiring the Black Madonnas of her own faith.By blending the two traditions, Ms.Galland found a spirituality that satisfied her longing for a feminine aspect of God. Her complete honesty about her inner being makes this book unique. Wherever she wanders, she connects with people of deep faith and learns from every tradition. This book is worth your effort.It may start you on your own spiritual journey, as it did for me.Longing for Darkness: Tara and the Black Madonna Overview

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The Foremost Good Fortune Review

The Foremost Good Fortune
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The Foremost Good Fortune ReviewI read this memoir in one sitting. As someone who moved with my husband and young children to Asia, I was hooked immediately. Susan nails the incidental moments - the minutiae - that define a family's transition to a new culture. I highly recommend this book to anyone who has experienced or is anticipating an overseas move with children. However, this aspect of Susan's story only scratches the surface of what makes this book a gem. It is funny at times, poignant at others. If you have grappled with parenting decisions, wondered about the realities of day to day life in China, faced an illness of any kind, or supported someone you love through one, you will find this book hard to put down. It is enlightening, hopeful and unequivocally life affirming.The Foremost Good Fortune Overview

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Forbidden City: A Novel of Modern China Review

Forbidden City: A Novel of Modern China
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Forbidden City: A Novel of Modern China Review"Forbidden City" was a powerful and dramatically graphic book which described the personal account of the Chinese tragedy which took place in Tiananmen Square, Beijing, in 1989.The story centres around the struggle for freedom which young revolutionaries had during a time when the Chinese government was unstable. Horrifying details illustrate the horrors that the Chinese people coped with. Surprisingly, these horrors were the result of the martial law handed down by the Chinese government to stop the Chinese citizen's cries for freedom and democracy. This book truly portrayed the horrific and uncivilized side of mankind. Images of bodies being crushed by looming Chinese tanks in the streets of Beijing and the careless bloodshed of innocent people in the centre of Tiananmen Square paint a picture of true brutality and coldness which we as humans take for granted in such times of chaos, not only in China but around the world. This book portrays the delicacy of life and how we all take for granted not only life itself, but our God-given freedom which we as humans consider as a right, which in reality, is a priviledge which we fight for each and every day of our lives.The central theme in "Forbidden City" is similar to the themes in "The Holy Bible" in that struggles for freedom take place throughout the book and involve all cultures. In contrast, "Forbidden City" was a much more personalized account of the tragedy which took place. I was able to explore the mind of a visitor to China who witnessed the brutal images in Tiananmen Square and was deeply affected by what was seen. "The Holy Bible", similar to "Forbidden City", provided a sense of hope for those in their stuggles for freedom and the oppressors, which, through over whelming strength and perseverence, broke free of their dictators and retained their identity, living with pride and ostentation. I recommend this book for people who feel as though they are oppressed by others whether it be parents, bosses or teachers who feel the need to break loose of what is holding them back. This truly dramatic and thought-prevoking book will provide you with the inspiration you need to continue on in your own lives having pride in your culture, family, and most importantly, yourself.Forbidden City: A Novel of Modern China Overview

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LIFE IN CHINA: My Story Review

LIFE IN CHINA: My Story
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LIFE IN CHINA: My Story ReviewAuthor Jean Life demonstrates her uncanny ability to play on words from the very moment your eyes lock on to the title of her book, "Life In China." In just a few short paragraphs, the reader is transported to the other side of the world where "Life" is literally transformed as she adjusts to her new home in the Orient. Her story describes the fascinating adventure she and her husband, Ralph, embark on after Ralph's employer asks him to act as the general manager of a joint venture project in the Henan Province. From uncomfortable stares and harrowing taxi cab rides, Life's story illustrates the patterns and rhythms of China and the rural city of Nanyang, where she is the first American woman to live in and work. Her intimate, firsthand analysis of Chinese culture moves from a tone first wrought with bewilderment to one of heartfelt compassion for a country with many philosophical differences separating it from the United States. Readers should take comfort in knowing that Life's story challenges the human spirit to balance both good and bad in a country where freedoms are certainly not the mainstay. From adapting to Moutai, China's "rocket fuel" equivalent of a strong elixir, to her alluring excursions in the countryside, "Life in China" evokes emotions including laughter and sympathy. Modern writers often chronicle their travels abroad, but few can truly describe what it is like to live in another country. Indeed, the success of many travel books depends largely on creating a convincing illusion. In "Life In China," there are no illusions. Rather, Jean Life teaches us the human aspect of living in China. The author clearly demonstrates that China's truths and fragility can't be wholly understood by colorful tourist attractions. Rather, its most remarkable gems are the untold secrets deep in the geography of its heart. It is in this context where the less privileged, less well positioned, and less fortunate are given a sense of greater self worth simply because an unknown, yet compassionate Westerner took the time to listen to "their" stories.LIFE IN CHINA: My Story Overview

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Madame Chiang Kai-shek: China's Eternal First Lady Review

Madame Chiang Kai-shek: China's Eternal First Lady
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Madame Chiang Kai-shek: China's Eternal First Lady ReviewThis is a book to dive into, and lose yourself for days. Madame Chiang Kai-Shek is that good a story, and this is that good an account of her life. Madame Chiang used her political cunning and legendary drive to seduce supporters to her side of China's epic civil war during the middle part of the 20th century.
The Nationalist regime, headed by her husband, was hated by the Chinese people for its notorious brutality and corruption. But as portrayed by Madame Chiang, especially to American audiences, Chiang Kai-shek's government was a modern, educated bulwark of democracy and freedom for a country whose history had allowed little of either. Indeed, Madame Chiang personified the vaunted hopes, bitter disappointments and complex misunderstandings of the U.S.-China relationship, which vacillated wildly during her exceptional 105-year lifetime. Laura Tyson Li's incisive new biography, rises to the tall task of capturing this pivotal figure in all her splendor and humiliation, against a backdrop of war, revolution and unending political turmoil. Li, a journalist with a decade of experience in Asia, accurately portrays her as "beautiful, vain, witty, spirited, capricious, scheming, selfish, and driven."
What a character. What a tale.
The book opens in the waning days of China's second-to-last emperor in the late 1890s, when Mayling Olive Soong was born in Shanghai, the youngest daughter of a businessman who had made a fortune selling Bibles and presided over a family of savvy, idealistic and recklessly ambitious children. One married Sun Yat-sen, China's first president. Another became finance minister and acting prime minister of Nationalist China. Another became one of China's richest women. Mayling became Madame Chiang Kai-shek.
In an era when few girls learned to read and fewer traveled, Mayling was schooled in Georgia, then graduated from Wellesley College, where she excelled at French, violin and religious studies. She returned to Shanghai in 1917 just as China lurched into a bloody warlord period, and soon she was courted by the most severe warlord of all, Chiang Kai-shek. He divorced one wife and sent another off to Columbia University before Mayling agreed to marry him.
During World War II, Madame Chiang became a superb envoy to the United States, where her address to Congress in 1943 thrilled Washington, and her barnstorming across the country won renewed support and money to defeat the Japanese. In China, she was a poised partner to her husband, softening his imperiousness while sharpening his political machinations.
In Li's telling, husband and wife (who shared a bedroom with a screen separating their beds) could not have differed more. He was an early riser; she stayed up late watching movies. He was ascetic; she insisted on luxury. Still, they called each other 'Dar' (short for 'darling') and for years collaborated to cement fragile political alliances and keep a shaky hold on power.
The book has delicious tidbits, such as an affair with Republican presidential nominee Wendell Wilkie and her insistence on getting silk sheets when she stayed in President Franklin D. Roosevelt's White House.
Overall, Li delivers a thoughtful portrait of a complex woman and resists the considerable temptation to crucify her. That is a refreshing contrast to the shock-and-awe approach seen in so many recent books on prominent figures in China's recent history. Li deconstructs critical historical events with skill: the Xian Incident, when Chiang Kai-shek was kidnapped by rebellious generals; the 50-year house-arrest of the leading kidnapper, with whom Madame Chiang developed a curious friendship; Madame Chiang's mysterious disappearances for months at a time, caused, Li thinks by physical and mental illnesses, including debilitating hives, breast cancer and nervous breakdown.
More reporter than writer, Li assiduously draws on Madame Chiang's extensive personal correspondence, from archives around the world, to explain each stage of her drama. It's a spellbinding period of history. And it does not end well for the Chiangs. The Nationalist regime crumbled to the Communists in 1949. The Chiangs fled to Taiwan, admitting no fault, but blamed President Truman and vowed to retake the mainland. That dream faded gradually after Chiang Kai-shek died in 1975.
Madame Chiang's antagonistic stepson, Chiang Ching-kuo, would oversee a murderous suppression of dissidents as head of Taiwan's intelligence network. Paradoxically, as president, he later paved the way for the launch of Taiwan's democracy just before his death in 1988. That year, at age 90, she tried to rally Taiwan's Old Guard and prevent the onset of democracy she once spoke of so often. She failed.
Madame Chiang lived out her days in New York, watching China and Taiwan as one became capitalist and the other became a democracy. Despite her illnesses, she lived until 2003.
Ultimately, Madame Chiang was "a deeply flawed heroine," Li writes, "that rare creature who stuck resolutely to her beliefs, however misguided some of them may have been, through the decades and the trials."
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Women in Early Imperial China (Asia/Pacific/Perspectives) Review

Women in Early Imperial China (Asia/Pacific/Perspectives)
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Women in Early Imperial China (Asia/Pacific/Perspectives) ReviewI picked up _Women in Imperial China_, expecting a relatively straight forward history and analysis of the role and place of women during the QIn (221 - 206 BCE) and Han (202 BCE - 220 CE) dynasties. What I got was much more complex, nuanced and detailed than I could have possibly imagined. In his introduction, Hinsch explains that even under the Han China was incredibly varied by region: "every hundred li there were different habits; every thousand li there were different customs; Households had different governments; people wore distinguishing clothes." (Mind you, this is a China much smaller than that of the 21st century.) Added to this are "varied and often contradictory" attitudes towards women even in the same region. In spite of these tremendous obstacles, a comprehensible historical narrative has been written that gives a richly detailed and incredibly nuanced perspective of the role of women during this 400 year (221 BCE - 220 CE) time span.
To help non-Asian specialists such as myself make sense of the variety of roles and perspectives of women, the book is organized topically, with chapters on Kinship, Wealth and Work (detailing social class differences), Law, Government, Education, and Ritual. Regardless of topic, Hinsch finds a number of common threads common to women: how Chinese understanding of gender shapes societal roles from the economic interdependence of genders (in work, regardless of social class and marriage) and the social status of women (within households and, by extension, the empire), to the importance of women's participation in the spiritual life of ancient China. Much to my suprise, the place and role of women was much more vibrant, active and highly regarded than I had imagined.
For those interested in womens' studies, ancient Chinese history or the Han dynasty in particular, I strongly recommend this book. For the armchair historian, Hinsch does not presuppose knowledge of Chinese culture and history and goes to great lengths to explain and "break down" many of the terms and concepts alien to a western audience. It is a fascinating read.Women in Early Imperial China (Asia/Pacific/Perspectives) Overview

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Baba: A Return to China Upon My Father's Shoulders Review

Baba: A Return to China Upon My Father's Shoulders
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Baba: A Return to China Upon My Father's Shoulders ReviewWonderfully written and beautifully illustrated book about the lives of the Chinese in the Manchurian frontier land before the Communist revolution. This is a Chinese rural life set in the abundance of the newly opened Manchuria, a time and place very different from the rest of land hungry China. The lives of these pioneers reminds one of those of the American pioneers of the Midwest prairies. The people in the story are brought to life as they make a living in this land of freezing winters, wolves and endless landscapes.Baba: A Return to China Upon My Father's Shoulders Overview

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Aching For Beauty: Footbinding in China Review

Aching For Beauty: Footbinding in China
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Aching For Beauty: Footbinding in China ReviewEven though the topic is a fascinating one. I struggled to complete this book. The author has a PhD in Comparative Literature and according to the book jacket, teaches creative writing course.
I'm not sure how such an interesting topic could be written in such a dry manner, especially by someone who teaches "creative" writing. This book actually reads more like a doctoral thesis than a book for the mainstream audience. The author has written about the history of footbinding, eroticism and violence in China and how these are all entwined. The too-technical, overly-referenced, dense, academic writing style of the author has not done these topics justice.Aching For Beauty: Footbinding in China Overview

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The Last Empress: Madame Chiang Kai-shek and the Birth of Modern China Review

The Last Empress: Madame Chiang Kai-shek and the Birth of Modern China
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The Last Empress: Madame Chiang Kai-shek and the Birth of Modern China ReviewMadame Chiang Kai-shek was, as journalists like to say, a good story. It is a story of wartime travails, of high-stakes political gambling, of an epic fight-to-the-finish between authoritarian Nationalists and radical Communists. It's also a story of a tempestuous partnership between an ascetic military man and his glamorous, winsome, shrewd and luxury-loving wife. He needed her connections to American money. She needed his access to power. Time magazine named them "Man and Woman of the Year" for 1937, essentially colluding in their myth-making. Together, they led China, and then lost it.
Madame Chiang dazzled Franklin Roosevelt, bedded Wendell Wilkie, backstabbed Gen. Joseph Stilwell and, for a time, enthralled the greater American public. Dynamic, vain, literary and ambitious -- she's a great subject for a long biography.
This is a beautifully designed book, with an inviting cover and an excellent array of photographs inside. Unfortunately, what lies between the covers is not as magical. The writing is OK, but Pakula often seems tone-deaf to the subtleties of Chinese culture and history. Then again, Madame Chiang's story is so engrossing that, for those who like an old-fashioned approach, this long-form rendering is still pretty absorbing. Madame Chiang's life spanned the entire 20th century, and she lived through a period of considerable upheaval, intersecting with quite a cast of characters.
Born in the last years of the 19th century, May-ling Soong was the youngest of three sisters whose father, Charlie, a Christian who made millions printing Bibles, bucked Chinese tradition by raising his daughters to be independent, savvy and ambitious. The eldest became one of China's richest women. The second married Sun Yat-sen, China's first president, and then cast her lot with Mao and the Communists. May-ling went to the U.S. for schooling at age 10, first in Georgia and then at Wellesley. When she returned to Shanghai, she said: "the only thing Oriental about me is my face." Before long, however, she took to wearing elegant, body-hugging Chinese gowns on her slender figure. She drew many suitors, but none had quite the promise of young Chiang Kai-shek, a general who believed himself destined to lead China into a modern era. Chiang had to divorce one wife, pack off a second to graduate school in New York and promise to convert to Christianity before May-ling's mother would approve the match.
"In seeking out a wife with money and power behind her, Chiang had found a woman with ideas and energy as well," writes Pakula. May-ling had more than ideas and energy. She soon became a poised partner who could soften his imperiousness, write his speeches and eventually become his best diplomat and public relations agent. When Chiang joined Roosevelt and Churchill for a summit in Cairo, his wife simultaneously translated and refashioned his remarks.
Her finest hour came in 1943, when she went to the U.S. to appeal for support in the war against Japan. With a Georgia lilt in her fluent English, and impassioned speeches about an ancient culture transforming into a democracy, Madame Chiang charmed Washington and Congress. By the time she was done touring the country, she had secured political support for billions in aid. How much of it ended up in the pockets of the Chiangs and Soongs is an enduring mystery. Pakula made considerable efforts to find a paper trail, with limited success.
Madame Chiang suffered mysterious illnesses, and took lengthy stays in U.S. hospitals, with long separations from her husband. Their relationship was complex. There are signs of tenderness in surviving letters and telegrams, as well as eyewitness accounts of vicious arguments. Pakula airs some intriguing anecdotes. One has May-ling confiding to a friend that she and Chiang were never intimate, because he wanted no more children. Another suggests that he had been rendered infertile from venereal disease, and never told her. She did have a passionate affair with Wilkie, Roosevelt's ex-rival for president. But she remained childless.
Eventually, Mao and the Communists defeated Chiang, chasing him to the island of Taiwan. The Chiangs vowed to retake China, but hope faded as the U.S. moved onto other wars in Korea and Vietnam. After Chiang died in 1975, Madame moved to New York, living until 2003. She was 105 years old. Or maybe 106. (She consistently hid her true age.)
Pakula has an annoying habit of abandoning judgment when she encounters conflicting evidence, resorting to phrases like "some say . . ." or "whatever the truth or falseness of these stories. . . ." From a historian who evidently spent 10 years with her material, we deserve more.
Madame Chiang trailblazed the role of first lady in China, and surpassed it. Her advocacy for the Nationalist cause was doomed, but she certainly cut a deep path on the consciousness of modern China.
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China's Son: Growing Up in the Cultural Revolution Review

China's Son: Growing Up in the Cultural Revolution
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China's Son: Growing Up in the Cultural Revolution ReviewAs a 12 year old student, I was assigned to read China's Son as a class project. As usual, I took one look at the cover and felt discouraged. But as I worked my way through the book, I actually began to understand the meaning of Da Chen's words.
Growing up in China during the Cultural Revolution was difficult for poverty stricken Da Chen. The book shows how he deals with his hardships, going from top student to the child no one likes, just because of his social standing. Da even joins a gang of hoodlums in his neighborood, and slowly becomes disinterested in the school he once loved. After dealing with family issues, Da realizes that he wants more in life then to become an uneducated farmer. Determined to succeed, he studies to enter one of China's best collages. Da Chen leaves readers on edge, hoping and praying that Da will make it into collage.
Although the book started off slowly for me, I would most definately reccomend it to any jr. through high schooler. Reading about Da Chen's determination is inspirational!China's Son: Growing Up in the Cultural Revolution Overview

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Women Writers of Traditional China: An Anthology of Poetry and Criticism Review

Women Writers of Traditional China: An Anthology of Poetry and Criticism
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Women Writers of Traditional China: An Anthology of Poetry and Criticism ReviewThis anthology has been long in coming and long needed. An impressive accomplishment from a number of perspectives, its 891 pages are organized into two sections, Part One: Poetry, pages 1-666, and Part Two, Criticism, 667-804, and followed by extensive notes and an impressive bibliography of the Chinese and English Languages sources for the selection. Each section is then organized chronologically by Chinese dynasty so that the reader can flip from the Poetry to the Criticism within a particular dynasty. Within each section, there are both short biographies of the authors and selections from the poetry of more than 150 women, with critical notes. Thus the anthology offers a wealth of literary and historical information and a breadth of coverage for translations of the many Women poets of China that has not been seen in the past.
The anthology ends with the early 20th century, and represents largely poetry written in classical or literary Chinese. While some of these poets have appeared in general anthologies of Chinese poetry, and will be well known to scholars in the field, there has never been such a comprehensive work in English before this one. I was delighted to discover among my old favorites like the empress Wu Zetian and the Sung poetess Li Qingzhao, large numbers of female poets, especially from the Ming dynasty (1368-1644) through the beginning of the republican period in China (1911). It was also delightful to find that the criticism of some of these poets, and male counterparts who commented on women's poetry, were translated, many for the first time. As near as I can tell, they have been exhaustive in their attempts to select from a broad range of titles by individual poets and the overall result is that one can no longer credibly present women as minor contributors to the literature of this vast and ancient country.
The text described above is not the earliest attempt, but it is the most complete for a scholarly audience. The earlier anthology addressing female poets of China, edited by Kenneth Rexroth, and it was a thrilling introduction when it first came out in the seventies, but Women Poets of China (first published by Seabury Press as The Orchid Boat, 1972). New York: USA New Directions, 1982, which is still in print, offers both many fewer poets and much less context for their work. While Rexroth and Chung should be applauded for their service to the scholarly community, they serve as only a taste of the wealth to be found in this new 1999 title.
As I am sure is by now clear, this anthology includes all the scholarly framework that make it an excellent addition to any academic library purporting to deal with world literature, and a potential candidate for a course book. In fact, one could present undergraduates with a decent history of Chinese poetry by using it to introduce the periods and types rather than a more traditional anthology.
However, Women Writers of Traditional China is so well organized and readable that it is also appropriate for most public libraries as a solid, readable, general introduction to women in Chinese poetry. The translations are poetically rendered, the periodization gives them context and the bibliography locates the texts in a corpus of Chinese poetry. This book is well worth its price and highly recommended. Cloth, 891 pg., Notes, Bibliography, Index of Names.
Jan Bogstad, ReviewerWomen Writers of Traditional China: An Anthology of Poetry and Criticism Overview

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China Wakes: The Struggle for the Soul of a Rising Power Review

China Wakes: The Struggle for the Soul of a Rising Power
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China Wakes: The Struggle for the Soul of a Rising Power ReviewWhile there is much to criticize about China Wakes, there is also much to recommend it. There is ample reason that it has become one of the classic "must reads" China books: it is an easy, accessible read that assumes the audience knows little, if anything, about China, and it covers very attention getting "human interest" type stories.
The latter fact has drawn much fire in other reviews, that murders and scandals are hardly representative of any country. While I concur, it also reveals the major problem of Western journalism on China: ignoring the big picture in favor of the exciting story. I have enormous respect for Kristoff and Wudunn as professional journalists, and for their colleagues now working for the NY Times in China. The current Beijing correspondent has done amazing work on the cover-up of the AIDS epidemic in China, the Shanghai correspondent has broken ground with his coverage of organ harvesting in prisons, and another of their staff has done notable work on labor unrest. Those stories are important and provide insight into the larger workings of the machine that is China, but compiled together would create a rather skewered version of the very complicated entity that is China. Unfortunately, what the average American wants to read on China is such sound bytes.
I read this book five years ago for a college class, just after returning from my first trip to China. Even then, it was outdated. A deeper criticism, though, is the book's Beijing bias. I, granted, have my own bias as a Shanghai-lander, but it's frustrating reading books by Beijing-based expats. In Beijing, politics is everything and everything is politics, and foreigners, especially journalists, are sequestered into isolated compounds. After exposure to too much coal dust and so uptight an environment in Beijing, one starts to see conspiracy theories and political boogeymen under every bush. The rest of China is not like that.
Nonetheless, it is a good overview of China in the early 1990s, and if you're a bit of a "China virgin", China Wakes coupled with a few Jonathan Spence books should break you in.China Wakes: The Struggle for the Soul of a Rising Power Overview

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The Magic Brocade: A Tale of China Review

The Magic Brocade: A Tale of China
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The Magic Brocade: A Tale of China ReviewThis is a lovely book with incredible illustrations. I bought it because I found the play online and we (my class) wanted some visuals to go with it. It was just what we were looking for.The Magic Brocade: A Tale of China Overview

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Across China on Foot Review

Across China on Foot
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Across China on Foot ReviewThis is an excellent travelogue of a journey taken in 1909-10. It's well written, entertaining, and has lots of info on cities, towns, geography, politics, religion, native peoples, animals, and the difficulty of traveling through such unforgiving territory.Across China on Foot Overview

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China's Geography: Globalization and the Dynamics of Political, Economic, and Social Change (Changing Regions in a Global Context: New Perspectives in Regional Geography Ser) Review

China's Geography: Globalization and the Dynamics of Political, Economic, and Social Change (Changing Regions in a Global Context: New Perspectives in Regional Geography Ser)
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China's Geography: Globalization and the Dynamics of Political, Economic, and Social Change (Changing Regions in a Global Context: New Perspectives in Regional Geography Ser) ReviewI have used the first edition in my course on the Geography of Asia and Oceania. I plan on using the second edition for the course. I have gotten positive feedback from students on this book. I really enjoy the maps and I have made good overheads from them.China's Geography: Globalization and the Dynamics of Political, Economic, and Social Change (Changing Regions in a Global Context: New Perspectives in Regional Geography Ser) Overview

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Hemingway on the China Front: His WWII Spy Mission with Martha Gellhorn Review

Hemingway on the China Front: His WWII Spy Mission with Martha Gellhorn
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Hemingway on the China Front: His WWII Spy Mission with Martha Gellhorn ReviewThis is an interesting study of two unbalanced personalities, Ernest Hemingway and his third wife, Martha Gellhorn, before and during their trip to the Far East from January to May of 1941. Hemingway was a very heavy drinker, at times abusive but capable of great charm, and Gellhorn, a true limousine liberal stamping out injustice and helping the poor, but totally unable to allow herself to come into contact with them.
But do not be deceived. Hemingway did not "spy" on anyone, there was no "mission", and the US was not yet in World War II. The basis for the sub-title was that Hemingway reported separately (from his published reports) to Secretary of the Treasury Henry Morgenthal and Harry Dexter White. They recognized that Hemingway and Gellhorn might write pap and propaganda for the public (sounds like contemporary media reporters) but wanted to obtain a balanced assessment of the readiness of the Far East in case of a Japanese attack, and most particularly China which was gobbling up vast sums of US aid.
The stories of Hemingway's drinking bouts and Gellhorn's obsession with cleanliness became wearisome. However, the depiction of China as a poor, filth-ridden country with a fascist government was nonpareil. The corrupt Chiang was more interested in fighting the communists than the Japanese, and the vast majority of US aid was not going into fighting Japanese aggression. The author makes this very clear, but there is little followup explaining why FDR continued his ruinous policies with respect to China until Japan was defeated literally without or in spite of Chinese help.
Some of the author's errors will be jarring to an historian. For whatever reason, he seems to only very reluctantly concede that Harry Dexter White was a spy, and he leaves the case against the Canadian born Laughlin Currie (like the author) somewhat in doubt. This is incomprehensible for a writer in 2004. The publication of the Venona material in 1995 established for all time that White was a high-level Soviet agent who did almost irreparable harm to the US while leading the American delegation in setting up the IMF (one of the KGB's finest hours), and Currie was part of the Silvermaster ring under the code name "Page." One of his major coups was reporting to Stalin that FDR was willing to let the Soviet Union keep the half of Poland they conquered in 1939, and that he would pressure the London Polish exile government to make further concessions. (See Haynes & Klehr, "Venona" for details.) Following that, the betrayal of the Polish exiles and their army was a foregone conclusion. At any rate, these were the birds with whom Hemingway was flying.
A small point is the editing. For example, author Moreira states that Hemingway committed suicide in 1961 and Gellhorn followed 27 years later with her own suicide in 1998. The author and his editors need a lesson in math.
All in all this book is an interesting read concerning life in China and the British colonies in the Far East in early 1941. Hemingway and Gellhorn are flawed and complex characters worth in-depth studies, but one needs a strong stomach and substantial personal interest to deal with their idiosyncrasies. They fit the CBI (China-Burma-India) theater well, particularly the other name used for the CBI theater, "Constant Bickering Inside."Hemingway on the China Front: His WWII Spy Mission with Martha Gellhorn Overview

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Pearl Buck in China: Journey to The Good Earth Review

Pearl Buck in China: Journey to The Good Earth
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Pearl Buck in China: Journey to The Good Earth ReviewHow many average American readers know that Pearl Buck won a Pulitzer Prize, or that she was the first American woman awarded a Nobel Prize for literature? How many realize she was read by Gandhi, Matisse, and Eleanor Roosevelt? In fact, how many even know of her at all? "The Good Earth" remains one of my all-time favorite novels, and Olan stands out as one of my favorite female characters in fiction. My own travels in China only enhanced my enjoyment of the book, and my experience as a child raised in multiple cultures gives me empathy for Ms. Buck's own upbringing as an American-born child raised in China as the daughter of Presbyterian missionaries. Imagine my excitement to see a modern biography of this fascinating woman.
"Pearl Buck in China" gives a detailed and well-researched view into her upbringing, her struggles, and her influence as a novelist. Despite the slow first two chapters, much of which are devoted to her father's missionary zeal at the expense of his family, as well as his misogyny in the name of God, the book dives deeply into the psyche of young Pearl. By the age of ten, she had decided to be a novelist, finding escape in fiction from her parents' unrest, and enjoying connection with the Western world--particularly through Dickens' novels--which was still foreign to her. As we discover, she knew the street vernacular of the average Chinese, and grew to love them as her own. This familiarity caused a strain on her religious beliefs when fellow Westerners treated the Chinese with condescension. Later, she found a husband with a more practical approach to his missionary work, teaching the locals agricultural skills.
Although I appreciated the history of Pearl's stalwart mother and stubborn father, I grew more attentive as the book moved into her years as a young women, as a writer, as a wife and, later, a mother. She fought for the rights of women, of handicapped children, and of all races and cultures. She humanized the Chinese in America's eyes, even at the risk of losing her place with the missionaries she had grown up among. She was not perfect. She had physical, creative, and spiritual struggles. She left her husband after years of frustration. The book never glamorizes her life, and yet it causes me to appreciate her more than ever.
Pearl tells us: "Fiction is a painting, biography is photography. Fiction is creation, biography is arrangement." This book does provide snapshots of her life, arranging those scenes into some sort of sense. It's through her fiction, though, that we find paintings of her, both bright and bleak, creations of character and setting and moral fortitude that allow her to live beyond her earthly years. I hope "Pearl Buck in China" helps bring her to life for new readers, young and old.Pearl Buck in China: Journey to The Good Earth Overview

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The Search for Modern China Review

The Search for Modern China
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The Search for Modern China ReviewThis book, now in its second edition, has been quite successful and has in one sense managed to fill a perceived need among literate westerners, particulaarly Americans, to know something about modern Chinese history.
However, few people appreciate what a ground-breaking book this was, at least in its first edition. That it was a popular history of China ("popular" in the sense that it was not primarily designed to be a college text) was not unique; reasonably well-researched surveys of Chinese history have been around since the nineteenth century. But for those of us who sat through an undergraduate course on Chinese history prior to 1980, Spence's approach was refreshingly un-Eurocentered.
Once upon a time, Chinese history was presented in two neat halves: the first half was "traditional" China from prehistoric times to the Opium Wars (1840's). The second half was everything else going forward. The overall impression was that everything changed when the white man appeared - which is, of course, a misperception, to put it mildly. Spence conceives of "modern" Chinese history as beginning with the Ming Dynasty, and treated the Western intervention as just one theme among many.
Thus, Spence was able to present a new view of China to a new generation, and it was a viewpoint that explains a great deal more than previous ones did. That he does it in such a compelling way, opening new vistas up to us in the process, is what makes this a great book. A great deal of thought and sensitivity has gone into this work, and it deserves to be appreciated for that.The Search for Modern China Overview

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China Witness: Voices from a Silent Generation Review

China Witness: Voices from a Silent Generation
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China Witness: Voices from a Silent Generation ReviewXinran traveled across China in 2005-06 seeking out the men and women who had experienced the vast changes of the modern era. She tells the stories of 20 ordinary people, average age in their 70's.
Unfortunately, the information volunteered by these people is limited - partly because of their likely lack of broader knowledge, and mostly due to cultural reticence. As early as the second millennium B.C., a Chinese criminal's family was punished as harshly as the criminal himself. Around 100 B.C. the people were grouped in units of 5 and 10 households, carrying out mutual surveillance and mutually responsible for each other's conduct. In the case of minor offenses, the criminal's family would be exterminated to between 3 - 5 degrees of association; with serious offenses this was extended to 9 - 10. This principle remained a mainstay of the Chinese judicial system until 1911, and also gave rise to powerful traditions of clan loyalty and fear of speaking out openly that is still an inhibition today.
Even media in today's China base reporting in line with this fear. Interviewees are often "led" to follow the central ideology of the party and to express personal views defined by these principles.
Thus, Xinran's accounts from those in the Cultural Revolution, the Great Leap Forward, the Long March, etc. is not able to convey the immensity of these tragedies.
Notheless, some of the interviews were of particular interest. One first involved a teacher at a Gobi Desert construction/military site. She received no raises for 30 years, supervised self-study until 11 P.M., and sometimes helped the children home during severe weather. Desks were made from mud covered with straw.
Altogether, incredible indicators of internal strength and stoicism. However, for broader perspectives I recommend "Mao," by Jung Chang, and "Chinese Lessons," by John Pomfret.China Witness: Voices from a Silent Generation Overview

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Shanghai Diary: A Young Girl's Journey from Hitler's Hate to War-Torn China Review

Shanghai Diary: A Young Girl's Journey from Hitler's Hate to War-Torn China
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Shanghai Diary: A Young Girl's Journey from Hitler's Hate to War-Torn China ReviewWhen I started Shanghai Diary, I found that I simply couldn't put it down. I hadn't known the story of the Shanghai Jews in the Hongkew ghetto, and I was riveted by the well-written story of Ursula Bacon's 8 years as a young girl in Shanghai, where it was nothing to see a dead baby girl thrown on a heap of trash and where day-to-day existence was harsh and often degrading. Despite all of this, Ursula's family managed to maintain their dignity and prevail. To me it was a story of great courage. When she left Shanghai at the end of the war, far from being devastated by the experience, Ursula took away the lesson that she had seen first hand what hate can do, and she would never hate anyone as long as she lived. The book was so moving that I had to sit quietly and reflect for quite some time after I read the final page.Shanghai Diary: A Young Girl's Journey from Hitler's Hate to War-Torn China Overview

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