Showing posts with label popular culture. Show all posts
Showing posts with label popular culture. Show all posts

New Media for a New China Review

New Media for a New China
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New Media for a New China ReviewVery thorough and well researched. It has given me a new understanding of the complexity of doing business with China from a western perspective. Well done (though Wiley should have helped out a bit more with editing).New Media for a New China Overview

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Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia) Review

Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia)
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Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia) ReviewA compact volume with a big idea, this book is a forceful evocation of what Stanley Rosen, in his Forward, calls the "negotiation" between State and Society in contemporary China. "After thirty years of reform," Rosen says, "state-society relations are no longer a one-way street." Zhu argues that the advance of commercial popular culture plays a leading role in this new dynamic. Here the focus is on television, as Zhu reveals how public/popular discourse is channeled through the narrative and formal content of China's most popular television programming -- serial dramas in primetime - and parallels this with the leading intellectual debates and movements of the post-reform era, and with the rhetoric and policies of the state. What Zhu finds, among other things, is that at least for now public opinion, the leading intellectual factions and the state are all more or less in line with the Hu Jintao administration's broad goals and strategies in the service of producing a "Harmonious Society."
Zhu also raises good questions about Hollywood's future role in the transnational Chinese audio-visual market; about the state's rhetoric of "One China" versus the more civilizational, less state-oriented vision of "Greater China" suggested by a pan-Chinese audio-visual audience; about whether or not China's leaders fully understand the extent to which they have invited the rest of the world to take an active interest in China's "internal affairs" as they take steps like joining the WTO and hosting the Summer Olympics; and about differences, similarities, cooperation and competition between the three centers of Chinese television production (China, Hong Kong, Taiwan). This is a scholarly work, but highly accessible, original and compelling.
Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia) Overview

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Planet Shanghai: Architecture Family Food Fashion and Culture of China's Great Metropolis Review

Planet Shanghai: Architecture Family Food Fashion and Culture of China's Great Metropolis
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Planet Shanghai: Architecture Family Food Fashion and Culture of China's Great Metropolis ReviewMy images of Shanghai are in black and white, being mainly informed by classic 40's flicks like Shanghai Express and Charlie Chan In Shanghai. It seems to me to be a city lost in time, full of steam pouring from train engines and femme fatales and both danger and adventure lurking in every corner. It is certainly not a place where people live, get up, go to work, buy groceries and generally live and die the way people do all over the world.
This is why "Planet Shanghai" was such an eye-opener for me. These are the people in the neighborhood. These are the people that you meet when you're walking down the street. Live and in living color, clad in multi-patterned pajamas, smoking and shopping, this is a record of Shanghai and the people who live there doing what they do, living their lives. I really enjoyed that this was not a "Weird Asia" book where the author tries to shock and amaze Western audiences with all that is "Not-American", but instead endeavors to make an accurate record of a city and lifestyle that may not last much longer.
Photographer Justin Guariglia wants to let the people speak for themselves, and so this is a pure photography book. There are no captions or explanations, and aside from two short essays, one by Guariglia and one by travel writer John Krich, there is no text of any kind other than what you might find on the street. The photographs are categorized in eight sections, such as City, Style, Food, Dogs and Family & Friends. While some of the photographs are spontaneous, most of them are standing portraits, with the people presenting themselves as they are.
And yes, some of it is odd. I didn't know that pajamas were normal streetwear in Shanghai, and a shot of the infamous "split pants" that children wear so that they can go to the toilet in the streets was funny to see. I have heard about them in several articles on China, but it was my first time to see a photograph. But that is about it. The strangeness is not emphasized, and that makes the book all the better.Planet Shanghai: Architecture Family Food Fashion and Culture of China's Great Metropolis Overview

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