Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia) Review

Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia)
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Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia) ReviewA compact volume with a big idea, this book is a forceful evocation of what Stanley Rosen, in his Forward, calls the "negotiation" between State and Society in contemporary China. "After thirty years of reform," Rosen says, "state-society relations are no longer a one-way street." Zhu argues that the advance of commercial popular culture plays a leading role in this new dynamic. Here the focus is on television, as Zhu reveals how public/popular discourse is channeled through the narrative and formal content of China's most popular television programming -- serial dramas in primetime - and parallels this with the leading intellectual debates and movements of the post-reform era, and with the rhetoric and policies of the state. What Zhu finds, among other things, is that at least for now public opinion, the leading intellectual factions and the state are all more or less in line with the Hu Jintao administration's broad goals and strategies in the service of producing a "Harmonious Society."
Zhu also raises good questions about Hollywood's future role in the transnational Chinese audio-visual market; about the state's rhetoric of "One China" versus the more civilizational, less state-oriented vision of "Greater China" suggested by a pan-Chinese audio-visual audience; about whether or not China's leaders fully understand the extent to which they have invited the rest of the world to take an active interest in China's "internal affairs" as they take steps like joining the WTO and hosting the Summer Olympics; and about differences, similarities, cooperation and competition between the three centers of Chinese television production (China, Hong Kong, Taiwan). This is a scholarly work, but highly accessible, original and compelling.
Television in Post-Reform China: Serial Dramas, Confucian Leadership and the Global Television Market (Routledge Media, Culture and Social Change in Asia) Overview

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