Pictures for Use and Pleasure: Vernacular Painting in High Qing China Review

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Pictures for Use and Pleasure: Vernacular Painting in High Qing China ReviewDo you have a fixed image of Chinese painting which might be dominated by reclusive landscape scenes or symbolic flower and bamboo paintings? If so, then the book "Pictures for Use and Pleasure" introduces a new range of "Bad Taste" Chinese paintings brought by foreign connoisseurs during the beginning of the twentieth century, China's turbulent period. The book focuses on a miscellaneous catalog of vernacular painting in High Qing China like beauty paintings, family portraits, festival paintings and so forth. These paintings all had an obvious secular function which was also the reason that they were considered low brow by the traditional Chinese connoisseurs for centuries. However, today thanks to these "defects" we get a path to a remote and mysterious past. Moreover, these vernacular paintings also present the virtuosity of the Chinese master painters including a large amount of unknown artisans who worked in commercial art workshops during the High Qing China. Professor James Cahill, the author of the book, hopes that his study will bring a new perspective to studying Chinese art and to rediscovering more of its hidden images.Pictures for Use and Pleasure: Vernacular Painting in High Qing China Overview

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