Woodcuts in Modern China, 1937-2008: Towards a Universal Pictorial Language Review

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Woodcuts in Modern China, 1937-2008: Towards a Universal Pictorial Language ReviewThe exhibition Woodcuts in Modern China, 1937-2008: Towards a Universal Pictorial Language features 67 Chinese woodblock prints and a software application. Thirty-four pieces are from the Picker Art Gallery collection and 33, from the 1950s to 2008, are on loan from 11 contemporary Chinese artists. The Picker collection of over 200 woodcuts from the Chinese revolution came to Colgate University through the generosity of Theodore Herman, professor of geography emeritus and director emeritus of peace studies, and his late wife Evelyn Chen Shi-ying. It is one of only four such compilations outside of China. The others are in the collections of the British Museum (London), the Musee d'Historie Contemporaine (Paris) and the National Gallery of Australia (Canberra). The catalog offers an interview with Xu Bing and essays by Stephen j. Goldberg, Renee Covalucci, and Leslie Eliet. Checklist, artist biography, and a bibliography are also included. Many illustrations.Woodcuts in Modern China, 1937-2008: Towards a Universal Pictorial Language Overview

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