Three Tales of the Sea: Youth; Typhoon; The End of the Tether. Review

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Three Tales of the Sea: Youth; Typhoon; The End of the Tether. ReviewJoseph Conrad wrote either exceptionally lengthy short stories or exceptionally short novels. Bundling these three stories together in a single volume is a convenient and cost-effective way to present them, and the stories themselves, while ostensibly quite separate, form a sort of continuum in a man's life. Although the protagonists in the stories are different people, "Youth" presents the optimism, spirit of adventure, and bold objectives of a young sailor; "Typhoon" shows us a seasoned captain, more or less of middle age, whose calm, placid, unruffled demeanor and sense of propriety not only see his ship through a horrendous storm but also squelch an injurious tussle among the coolies below decks; and "The End of the Tether" brings us into close rapport with Captain Whalley, who is nearing the end of his life. Youth, adulthood, and old age. In these stories, we see the traits of a man in each of these stages of life.
Conrad also writes exceptionally vivid descriptions of the scenes and actions in which his characters play their parts. He is a master of scene setting, and he is no slouch when it comes to a bit of suspense, either. In "Youth," we are intrigued by the long-invisible and unquenchable fire smoldering in the ship's cargo of coal and are shaken by its explosive force when finally it breaks into an inferno. In "Typhoon," we grasp an imaginary ladder rung as we are buffeted by the hurricane-force winds and thrown off balance by the tumultuous monster waves that overwhelm the ship. In "The End of the Tether," we hear the sounds of the ship's aging boilers and see the deep green jungle of Batu Beru as the steamer Sofala makes her way slowly upriver.
Conrad always gives us imaginative character studies in the persons of his protagonists. We have the indomitable Marlow in "Youth," led always onward toward adventure and wonder even as he must abandon his burning ship and journey onward toward the East in a lifeboat. Next, we encounter the great irony of Captain MacWhirr, who appears so inexpressive, so insular, so quiet, and so unassuming, yet who can see his ship, the Nan-Shan, through the teeth of a hurricane. There is also exceptional ironic incongruity in the fact that the same traits that saw him through the terrible storm led MacWhirr to sail directly into it in the first place, since changing course would have burned more fuel and therefore would not have been proper treatment of the ship's owners. Finally, we see aging Captain Whalley at "the end of his tether" in many different ways as age, blindness, and poverty (inasmuch as he sends all the money he earns to help his daughter at the opposite end of the world) inexorably close in on him. The story gives us multiple significances for its title.
Conrad's writing is top notch for many reasons: his adroit use of description, his detailed characters, and perhaps most of all his evocation of mood. The reader is aboard Conrad's ships (often "tramp steamers" moving slowly along jungle-shrouded rivers) and is shoulder to shoulder with his protagonists, such is the vicarious pleasure the reader derives from his stories. In fact, I first "met" Conrad when I was a young child and found his story "Lord Jim" in a Classics Comic Book, which would, I suppose, be called a "graphic novel" today. I have admired his writings ever since and have no qualms about recommending these stories to readers from the "young Marlows" among us to the "aging Whalleys," and that, of course, includes the intermediate "MacWhirrs."Three Tales of the Sea: Youth; Typhoon; The End of the Tether. Overview

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